The dignity of movement of an iceberg is due to only one ninth of it being above water.
Hemingway, Death in the Afternoon
My temptation is always to write too much.
Hemingway to Maxwell Perkins, 1940
Writing about the view of the Hudson River and the Catskills from my window has been a struggle. There is so much to say, so many stories attached to the view and so much history to my feelings about it.
I remember a story telling workshop led by Jay O’Callahan. He had each of us talk about some object in our childhood home. He wanted us to describe it using details. We could talk about how it looked, or what we used it for, or if we liked it, or what it meant to one family member, anything – but fill it with details. And that’s how I started writing about the view. My mind was exploding with ideas, the content grew but I needed to keep from trying to squeeze a book into a brief essay.
Finally I remembered Hemingway and his iceberg theory. I didn’t have to tell it all. I could just know it and it would be there.
Since I have a view of the Hudson River and the Catskills from my home, when I think of the Hudson River I see my view. I’m very close to the water. I went out and counted 70 paces from the back of my house to the river, if I could walk it like the crow flies. It’s down 14 steps, across a narrow piece of CSX land, thru the lilacs, across a trench where some have said CSX has an overflow pipe to keep the river off the tracks during storms and high tides (I haven’t found any such evidence), over a northbound and a southbound set of rails, through a mess of sumac to the river.
It’s not an idyllic view and conversation ceases as the train goes by. Although only one unhappy person, who never seemed to want to see anyone else be happy, has actually told me that my house was a very, very bad purchase, mostly because of its location, I am sure there are many others who probably would feel the same way. I think the realtor who showed me the house was very surprised that I brushed off the train with a wave of the hand.
There are ten windows across the river side of the second floor of my house and they offer ten different pictures. I delight in each one. Starting from the north, I look up the river and never really see anything, but I keep hoping something will come into view. From the second window I see the cement plant, which could be worse, and which I think of as a castle lit up at night.
The next picture is of the hamlet directly across from mine. I have driven over several times, and I sit on a bench put up by someone and peer back at my house, which looks a bit industrial itself. At night I can see the lights of cars coming down the hill and imagine mothers and fathers coming home for dinner with their children.
When I hear the whistle of the freight train across the river, I look out the fourth window to the one spot where I can actually see the cars going by.
The next window gives a straight on view of the little island with two trees – the old Cheviot dock and an in-your-face telephone pole. I forgot to mention the telephone wires that I usually photoshop out of the view on the computer, and when I’m not focusing on the birds on the wire – out of my mind also.
In the winter there’s a blinking green buoy seen from the next window, and it is joined by a red one in the warm weather.
I’ve got tracks, telephone poles, and a cement factory, and a public launch parking area. But it’s a wonderful view – not a complete 180 degrees, but close. In addition to the island, there’s Round Top and Kaaterskill Pass. Actually it is Kaaterskill Clove Pass. There are beautiful sunsets and even more beautiful, the reflection of the sunrise in the morning.
I can watch the ripples, sometimes waves of the water and wonder about the currents. Much has been written about the Muhhekunnetuk – the river that flows both ways, and has two spellings and has two pronunciations.
The pictures change by the minute. I sometimes see geese with their heads under their wings taking a rest as they hitch a ride on a chunk of ice. I first hear the throbbing and then see the lego barges of red, white, blue and yellow floating by. I see glorious cloud formations and mist and sometimes the fog comes in so thick I see nothing. Every now and then the rays coming from the clouds are so outstanding and brilliant that I really believe there must be a God.
I had learned already never to empty the well of my writing, but always to stop when there was still something there in the deep part of the well, and let it refill at night from the springs that fed it.
Hemingway, A Moveable Feast
I’ve got to constantly remind myself about that, rather than create posts with titles like the above.
The only time I had even a little bit of hesitancy about my view was when I first visited Olana, Frederick Church’s home. That story is still in my well.